AI Prompts for Gemini for Story Structure

Here is my story premise: [BRIEF PREMISE]. Help me map it onto a three-act structure. For each act, tell me what the protagonist wants, what obstacle stands in their way, and what the act break is, the event that makes the previous approach impossible and forces a change in strategy.

My story feels like it has a beginning and an end but no real middle. The premise is [YOUR PREMISE]. What should happen in Act Two that puts genuine pressure on the protagonist? Give me three possible midpoint complications that would deepen the conflict and raise the stakes.

I have a story with multiple protagonists: [DESCRIBE EACH PROTAGONIST AND THEIR GOAL]. Map how their storylines interact across the three acts. Where do their goals conflict? Where do they help each other? How does the resolution of one storyline affect the others?

My story has a [GENRE] premise: [BRIEF PREMISE]. How do the structural conventions of [GENRE] shape what Act Two needs to do? What does the reader of this genre expect from the middle of the story, and how can I deliver that while still surprising them?

I am writing a story where [DESCRIBE THE CENTRAL SITUATION]. The protagonist's external goal is [EXTERNAL GOAL] and their internal need is [EMOTIONAL NEED]. Show me how these two goals come into conflict in Act Two and resolve together, or fail to resolve, in Act Three.

I need to design the inciting incident for my story. The premise is [YOUR PREMISE] and the protagonist starts in [THEIR INITIAL SITUATION]. What event would disrupt this situation in a way that is irreversible, personal to the protagonist, and impossible to ignore? Give me three options at different levels of dramatic intensity.

My story has a midpoint that feels flat. Here is what currently happens: [DESCRIBE CURRENT MIDPOINT]. Explain what a midpoint needs to do, how it should change the protagonist's understanding, raise the stakes, or flip the story's direction. Then suggest two alternatives that would give the midpoint more weight.

I need to design the "all is lost" moment in my story, the point where everything the protagonist has worked toward appears to be destroyed. Their goal is [GOAL] and their fear is [FEAR]. Design a moment where both the goal appears unachievable AND the fear appears to come true at the same time.

My climax feels like a resolution rather than a confrontation. Here is what happens: [DESCRIBE CURRENT CLIMAX]. What is missing? A climax should be the most difficult moment in the story, the moment where the protagonist must do the hardest thing. What is the hardest thing my protagonist could do here, and how could I make them do it?

My story has two competing storylines: [STORYLINE A] and [STORYLINE B]. Map the turning points for each storyline and show me where they can share a turning point, a single event that functions as a turning point for both storylines simultaneously.

I have a scene that only does one thing: [DESCRIBE THE SCENE AND WHAT IT CURRENTLY ACCOMPLISHES]. How can this scene do at least two things at once? Add a subplot element, a character reveal, or an emotional shift that gives the scene a second layer without making it feel overcrowded.

I need to write a scene that transitions between [END STATE OF PREVIOUS SCENE] and [START STATE OF NEXT SCENE]. The purpose is just to move the character from A to B. How do I make this transition scene earn its place? Give me three ways to add conflict, revelation, or character texture to this kind of in-between scene.

I have too many scenes in a row where [SAME TYPE OF SCENE, E.G., "THE PROTAGONIST FAILS AND RETREATS"]. How do I create variety in the middle of the story without abandoning the central conflict? Give me a structural pattern for sequencing scenes so the emotional rhythm has contrast.

I want to write a scene that plants a detail I will pay off later, but I do not want the reader to notice the plant. The detail I need to plant is [DESCRIBE THE DETAIL]. How do I hide it in plain sight? Describe the scene setup that would make this plant feel like a natural moment rather than a setup.

Here is a scene I am unhappy with: [PASTE OR DESCRIBE THE SCENE]. Tell me what function this scene is serving in the story. Then tell me if it is earning that function or just filling space. If it is filling space, tell me what would make it genuinely necessary.

Here is a summary of my story: [DESCRIBE YOUR STORY]. Read it as a critical story analyst. Where does the middle lose momentum? Where does a scene not earn its place? Where does a turning point feel arbitrary rather than inevitable? Give me three specific structural problems and a fix for each.

My ending feels earned by the plot but not by the character. The character arc is [DESCRIBE THE ARC]. What scenes or moments earlier in the story would need to be present for the ending to feel emotionally inevitable? Map the moments I need to plant in Acts One and Two.

I want to check the pacing of my story. Here is a chapter-by-chapter breakdown: [LIST YOUR CHAPTERS AND WHAT HAPPENS IN EACH]. Flag where the story spends too long on the same emotional note. Suggest where the pace should accelerate, where it should slow for impact, and where a scene might be cut without losing anything essential.

My protagonist's change from [STARTING STATE] to [ENDING STATE] does not yet feel like a full arc. What is the internal belief they must hold at the start that the ending proves wrong? Write the scene where this false belief is first expressed and the scene where it is finally shattered.

I have an outline with [NUMBER] scenes. I need to cut it to [LOWER NUMBER] without losing the essential story. Help me identify which scenes are load-bearing, which ones, if removed, would break the logic or emotional impact of what follows, and which could be cut or combined.